Curator, writer, and cultural consultant, with experience designing and
managing impactful exhibitions, public programs, and institutional events.
Founder & Artistic Director of Living Content, a curatorial agency and registered 501(c)(3) in
New York and Bucharest.
A Selection of Published Articles:
“Rasmus Myrup,” CURA. Issue 44 – The Generational Issue, May 2025. Print & Online. Available here.“Critic’s Pick: Ivana Basic at Schinkel Pavilion, Berlin,” August 2024. Print & Online.
“DRUG DEALER NEEDED – $5,000 A WEEK – EXCITING WORK” Exhibition review: R.I.P. Germain at Sculpture Center, New York. Texte zur Kunst / JUNE 2024 "SCULPTURE". Print & Online
"MARY-AUDREY RAMIREZ" A short story. CURA. 42 / SPRING-SUMMER 2024 "We Monsters." Print.
“CURA. meets the curator Cecilia Alemani. In conversation with Adriana Blidaru,” CURA, June 2022. Online. Available here.
“Beyond the Limits of Empirical Knowledge: Marguerite Humeau’s New Way of Thinking and Making,” Flash Art, July 2022. Print. Available here.
”Generational Issue: Lito Kattou,” CURA no 38. Print. Available here.
“New Red Order (NRO),” CURA No 37, 2021. Print.
“Aria Dean: Show Your Work Little Temple,” CURA, exhibition review, June 2021. Online. Available here.
“Josh Kline by Adriana Blidaru,” Kaleidoscope No 37, 2020. Print. Available here.
“Interview with Clemens von Wedemeyer,” Kaleidoscope No 36, 2020. Print. Available here.
“Clemens von Wedemeyer: Transformation Scenario,” AfterImage, SpazioMaiocchi, 2020. Online. Available here.
“A Short Analysis of Ilana Harris-Babou’s Work,” CURA No 31, 2019. Print. Available here.
“Interview with Katja Novitskova,” Kaleidoscope No 34, 2019. Print.
"Korakrit Arunanondchai,” Kaleidoscope No 33, 2018. Print.
"Representations of Memory in Documentary Film,” book review, Revista Arta, No 31, 2018. Print. (in Romanian and English).
“Songs for Sabotage. The New Museum Triennial,” exhibition review, CURA, 2018. Online.
“Interview with Korakrit Arunanondchai,” CURA No 26, 2017. Print. (reprinted: June 2020). Available here.
“How to find Beauty in a sea of data: Korakrit Arunanondchai at CLEARING,” exhibition review, The Brooklyn Rail, 2017. Available here.
“Interview with Slavs and Tatars,” Revista Arta, 2016. Online. Available here.
Exhibition texts & Catalogues (selection):
exuviae, Mary Audrey Ramirez & Stina Deja, Management Gallery, NY, June 2025. Exhibition Text.
Jura Shust, Coniferous Succession, Management Gallery, NY, January 2023. Exhibition Text.
Jean Marie Appriou, Flamingo Soup, CLEARING Gallery, NY, December 2022. Exhibition Text.
Sara Flores, KENÉ, CLEARING gallery, NY, November 2022. Exhibition Text.
Lito Kattou, Harvesters, Pylon Foundation, Cyprus, October 2022. Catalog text.
In the Pull of the Future, MFA Graduate Show, Rutgers University, hosted by EFA Project Space, New York, 2020. Catalog text.
Hayal Pozanti: Murmurs of Earth, Jessica Silverman Gallery, LA, 2018. Catalog text.
Group exhibition Fakers: Craft Affect, Cypher Projects, London, 2018. Catalog text.
Group exhibition 20 Years of Wuersch & Gering, Wuersch & Gering, New York 2018. Catalog text.
Editing Jobs:
Living Content 2018 - 2025 (www.livingcontent.online)
CURA. magazine, Rome, Guest Editor, June 2022
To the Reader: A Prologue to Nu Sensitivity, by Shaun Motsi & Adriana Blidaru, eds., ODD, 2018
New Lavoro Daily Magazine, “Editor’s Note” by Adriana Blidaru and James Shaeffer, eds., Palazzo Peckham at the 55th Venice Biennale, Venice, Italy. exh. Cat., 2013.
Curated Lectures, Symposia, Workshops:
GATHER STRIP SWEAT. Bath House Readings, with readings by Geoffrey Mak, Journey Streams, Simon Wu, at Wall Street Bath & Spa 88, New York, January 30th 2025
Living Content presents: Artists and Writings – Comic Relief, with performative lectures by Aki Sasamoto, Kasia Fudakowski with Amy Zion, Jeanine Oleson, and Kenneth Tam, at Wendy’s Subway, New York, February 2020
Living Content presents: Artists and Writings – Deepening Dams, Hungry Coasts with performative lectures by Gordon Hall, Cole Lu, Nancy Lupo, Joseph Buckley and Ajay Kurian, at Wendy’s Subway, New York, January 2020